- “When I shifted to history painting, I wanted to “disappear” my hand, to create works where the brushstroke didn’t distract from the story. That’s when I started studying the Old Masters more carefully. I realized that no matter how…Apr 25, 2025 22:48
- … I could never replicate Delacroix or Rubens exactly—and that was fine. It became more about orchestrating a team, like conducting a symphony, where every element works in harmony.” news.artnet.com/art-world/ke...
