ECP
Classical musician from New England living in Portland, OR. Gay, leftist, pro-trans, pro-Palestine.
- I saw someone say that the only thing conservatives attack Pritzker on is his weight. Yet, unlike with candidates of color or female candidates, I don't see a lot of people saying he shouldn't run for president because he's fat.
- It's about fucking time, you snide little Nazi.
- Very clever on SLC for this: when the state mandates all flags be official, just design and approve more official flags. 🏳️🌈🏳️⚧️
- Reposted by ECPNEW: In the Mahmoud Khalil case, Judge Farbiarz orders the government to give him a COMPLETE LIST of every time since 1975 it has invoked the secretary of state's power to deport someone for foreign-policy reasons—including a description of each case's facts and a copy of the official determination.
- Reposted by ECPblack smoke from the sistine chapel, as the papal conclave has failed to successfully burn all evidence of centuries of coordinated child abuse
- Reposted by ECPthe military industrial complex depends on forever wars and israel has provided u.s. arms dealers with four decades worth of profits, which arrive in the form of congressional pork for districts with lockheed plants and the like. aipac is practically an arms industry trade group.
- This might be the most complicated plot I've experienced in a Bill Plympton movie. Plenty of sight-gags but also a mixture of alien-invasion and lost-in-space wrapped in a conspiracy. Quite a bit of blood in this one, as well as a good helping of sex humor.
- Reposted by ECPNo cops at Pride. They might be fruits, but they're bad apples.
- Reposted by ECPEmbrace left wing populism. Tax the rich, publicly, vocally, directly. Attack the real elites, or else the far right will frame immigrants, queers, and liberals as the elites and take up the populist mantle. People are angry. You can't soothe it, so direct it. 6/
- This afternoon's delight: the endlessly strange Inflatable Sex Doll of the Wastelands (1967). Like many Japanese crime films of the 60s it plays with noir and French New Wave ideas, but this one throws it all in a blender and goes in some surreal, time-bending directions.