Mariana Mogilevich

• Reposted by Mariana Mogilevich
  
  The Syllabus handle.invalid · May 8
  As institutions retrofitted themselves to house Richard Serra’s massive steel forms, this piece shows how his work transitioned from confrontational public interventions to museum-bound monuments. By @mmogi.bsky.social in @nplusonemag.com buff.ly/DKEQjUA
  

  Man About Town | Mariana Mogilevich

  Perceptive critics noted early on that Serra’s sculpture only made sense in relation to its time and place and gave meaning only to those specific conditions against which it unfolded. Serra insisted…

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